I’ve admired Alfonso Cuarón for a while now–Y Tu Mama Tambien and Children of Men are two of my favorite films. And I was happy to find many similar themes from those films. And this latest film is visually stunning–I’ve read he directs and acts as cinematographer. The motif of water and family strength stayed with me long after viewing.
Had some time this SpringBreak to watch some films and this one by Jorge Gutierrez is beautifully animated. I liked the mix of modern music and the Mexican folklore. I was also struck by the theme of death and grieving families.
I’ve been waiting to watch Diego Luna’s film and finally had some time this weekend. The reviews were poor on IMDB and Rotten Tomatoes and Marshall Ganz–a man who knew and worked with Cesar Chavez–criticized the film for the one dimensional version of Chavez’s life. I have to admit though I found Michael Peña’s portrayal of Cesar Chavez to be subtle and very powerful.
Peter J. Kuznick’s research translates well to this Oliver Stone directed series of hour-long documentaries. I found myself admiring the post-structuralism historical mode as well as the well constructed mix of photographs, film footage and news reels.
A few months back I heard of Dan Cohen’s concept of using music with dementia and Alzheimer’s patients. This holiday I finally had a chance to watch the documentary Alive Inside based on his work and I was amazed. I was struck by how music, memory and also identity were represented.
This film is from 2009 and from director Bobcat Goldthwait. I missed it because of a limited release. I most admired Robin Williams playing a frustrated writer and teacher in this dark comedy. Love the scenes in poetry class.
“I used to think the worst thing in life was ending up alone, it’s not. The worst thing in life is to end up with people that make you feel alone.”
A new semester will soon begin as I write this and my thoughts obsess over inspiring and motivating my students. It’s hard for me to believe I’ve been teaching since about 1999. I should be seasoned and secure in my teaching philosophy. Yet nothing concerns me more than motivating and caring for my students. The coursework comes easy but the technique in the classroom is something I’ve always struggled with. And I’ve aspired for years to act more aggressively as an advocate for my students.
I remember years and years back in an intro to education course watching a film with my fellow group members–a group of young and idealistic teacher-wannabes assigned to write on teaching styles. We watched Dead Poets Society over pizza and sodas in a dorm meeting room. And because I was young and capricious and uncertain what I wanted to do with my life–I mean one semester prior to this I was an engineering major thinking I would take all math and science courses–I found myself dismissing the film as sentimental and over-cooked. I was angry and young and stubborn at the time. And then I tutored for a few humbling years and found my way to the composition classroom. I returned to the film recently because of Robin Williams’ death and found myself captivated in the representation of the instructor-student relationship. I found the film to be a very strong representation of how a teacher can struggle with administration and also struggle with students. How a teacher has to face challenges from within and from outside the classroom. Williams’ character is kind and patient as well as firm.
The scenes I remember most fondly are the scenes where Williams’ character pushes his students to feel empowered and to think independently. These are the moments early on in a term when I am reminded of teachers who have inspired me–gone above and beyond to help me. Will Hochman from the University of Southern Colorado, Lisa Ede and Tracy Daugherty at Oregon State and most recently Sergio Troncoso from the Yale Writer’s Conference.
Great documentary now available for streaming on Netflix. I’d been waiting to watch this one for a while. I was glad to see some insight into the reclusive artist Bill Watterson. Calvin and Hobbes has always been one of my favorite strips and I remember the last strip to this day. In fact, I found the description of Watterson and his thoughts on merchandising to be very Salinger-esque. And I’ve always thought of Salinger in relation to Watterson and his themes of youth and familial relationships. I also liked the discussion of high art and commercial or comic art.
Long story short, the plot is driven by a coincidence. And this idea was seen as a failure from D’s point of view. I saw it as a strength because I heard an episode of This American Life called No Coincidence, No Story! Now that is not the only thing that drives the film’s narrative. I think the movie is driven by the intricacies of relationships and protocol around new relationships–the human truths of relationships and also the ending of relationships. The idea that relationships are about finding and understanding mundane eccentricities in newfound partners.
Apparently “No coincidence, no story” is a Chinese expression. From This American Life: “Sometimes the best way to appreciate a coincidence is to look past all the rational reasons it might have happened.”
This is an interesting thought or principle regarding narratology. Shit happens in life and in stories. I think this is a pretty good lesson for my creative writing students who are always struggling to find that thing or “it” that will drive the story.
James Thurber short story adaptation?
This looks interesting:
Happen to be reading through The Man With the Golden Arm this summer. Now news of Algren documentary. I’m looking forward to it.
On Tuesday I had the fortune of attending a private screening of the inspirational documentary film I am a Visitor in Your World . The film was about Rebecca Babcock, a young writer and blogger diagnosed with colon cancer at the age of 25. The film was a poignant account of her life and struggles and Rebecca’s story was so affecting. I liked the idea that her poetry from her blog was used as voiceover.
After the film there was a Q and A regarding the editing, cinematography and the music used in the film as well as commentary from Rebecca’s mother, Mary. The DVD is currently available at the filmmaker’s website.
Today in Lit 150 we are discussing needless qualifiers. I like the Frank Darabont/Tears in Rain soliloquy example from Blade Runner documentary:
