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Paperback edition.
The House of Order follows Manito Ortiz as he sorts family truth from legend in a world as broken as the steel industry and the rusting vehicles that line Spruce Street.
With access to his family’s past coming only through the unreliable Neto Ortiz, this first collection of composite stories presents a stark vision of American childhood and family in Southern Colorado and Northern New Mexico.
Edition Details
$15.00
Awards & Recognition
Excerpt
“Farmhouse in the Lanes”
“What’ll you do when I’m not around to tell you the truth? Seems like half the people in this family forget, you know? I gotta keep it all straight for you, Manito.” The old man leaned back and lit another cigarillo. He took another drink from the thermos top and then spit some of the coffee out onto the hard clay. “Soon I’ll never be able tell you these things. I’m old, Manito,” he said. “I used to work all day from early till the sun came down and then I would pull up the headlights from the truckito and keep going. I could make deliveries up and down the lanes here to every farm and ranch around here with only a bottle of ice water with me, Manito.”
The old man leaned farther back and the boy could see the strain coming into his face and neck. The old man didn’t move or shift his weight but his voice rose sharply and loudly. “All I am saying is watch who you respect, boy,” the old man said. “I’m telling you about your father, Manito?”
“Yes, sir, jefe.”
“So don’t forget that, boy,” the old man said. “Neto my ass, Manito.”
“Okay,” the boy said.
“That Neto don’t even work and he’s got kids and no wife,” the old man said. “A damn habit.”
Excerpt from “Farmhouse in the Lanes” from House of Order (Anaphora Literary Press, 2013) featured in The Acentos Review.
Reviews
What Reviewers Are Saying
“If you like writing that is unpredictable and makes you think, this collection is for you. These short stories have characters with complex, sometimes depressing, but always fascinating lives.”
— LatinoStories.com
“Raw and highly emotional at times, Jaramillo’s stories give a realistic look into the lives of his characters as he presents short vignettes that hint at a deeper family saga. His style is easy to read and his concise wording retains a surprising amount of detail. All in all, The House of Order is a compelling set of stories and should Jaramillo continue to present such fantastic storytelling, there is no doubt he will gain many new readers.”
— San Francisco Book Review
“Jaramillo is writing about working in Southern Colorado farm fields, driving and drinking beer and smoking pot; visiting family members in the state penitentiary; about tattooed pregnant girls, dirty kids in laundromats and their desperate mothers—and the pain-filled list goes on, back through several decades. What saves these stories is the grace in which they are written.”
— Mary Jean Porter, Chieftain.com
“Each story in Jaramillo’s collection stands alone, but together they make a powerful combination, with vivid descriptions, realistic characters, and strong emotions that will make readers cry, laugh, cringe and hope.”
— Latina Book Club
“The House of Order is an enticing read that shouldn’t be overlooked for those looking for a down to earth short fiction collection.”
— Midwest Book Review
“The book is filled with beautiful moments, like shards of broken stained-glass window lying in the dirt. This book will open your eyes to a new way of life and will leave you with haunting images not soon forgotten. A worthy read.”
— IndieReader
From the Inside Flap
The House of Order
Manito Ortiz sorts family truth from legend as broken as the steel industry and the rusting vehicles that line Spruce Street. The only access to his lost family’s story is his uncle, the unreliable Neto Ortiz. The House of Order, the first collection of composite stories by John Paul Jaramillo, presents a stark vision of American childhood and family, set in Southern Colorado and Northern New Mexico.
From the Back Cover
Advance Praise
“These stories find John Paul Jaramillo hitting his stride as an acute observer and chronicler of hard and valuable lives. The writing conveys great warmth and understanding. This is a career to watch.”
— Tracy Daugherty, author of One Day the Wind Changed
“Besides the razor-sharp writing which brings even those characters whom we meet only briefly vividly and memorably to life, what compelled me was my affection and concern for the narrator, who sets out to record the stories of his elders, and through them, to understand the forces that have shaped and directed his own experience. The result is a collection of stories that holds together like a shattered vessel, whose fragments have been gathered and expertly glued. Manito himself, battered by drink and drugs and the abuses of combat, barely holds together sometimes — but even at his lowest and darkest, the impulse remains in him to comfort and assist. It’s this that saves him, and that sets this collection apart — and above, in my opinion — less forgiving depictions of people struggling to take control of their lives.”
— Jennifer C. Cornell, author of Departures