Join us this month as we talk about Good Night, Irene: A Novel, Luis Alberto Urrea’s fictionalized account of his mother’s WWII service with the American Red Cross. It is clear Urrea is a poet at heart and his rich descriptions help anchor the reader into Irene and Dorothy’s world and what it takes to survive events that cannot be forgotten. (And of course, John Paul reads a few one-star reviews!).
–Deborah Brothers holds a Ph.D. in English Studies and reviews books for Choice and The Lion and the Unicorn, and her essays, fiction, and scholarly work have appeared in several publications.
–John Paul Jaramillo holds an MFA in Creative Writing and is the author of three books: The House of Order, Little Mocos, and Carlos Montoya.
Reading Books Together: A Podcast with Deborah Brothers & John Paul Jaramillo
Music “Viv” by Joel Styzens from Relax Your Ears
John Paul Jaramillo and Deborah Brothers sit for a 40 minute discussion of 2022’s novel Woman of Light by Kali Fajardo-Anstine. The August “Reading Books Together” podcast discusses young people and reading, historical fiction and Colorado history.
–Deborah Brothers holds a Ph.D. in English Studies and reviews books for Choice and The Lion and the Unicorn and her essays, fiction, and scholarly work have appeared in several publications.
–John Paul Jaramillo holds an MFA in creative writing and is the author of three books: The House of Order, Little Mocos–a novel, and Carlos Montoya–a novel.
Put together a quick listing of song titles I think work with each chapter of my book. Saw a few other writers I admire do this and so I thought I would try. More and more I like the idea of a movie-style book soundtrack. And I am finding this a fascinating exercise. Many of these titles are songs I listened to while drafting and revising and many I found recently as many of the characters and chapters refer to films and or songs in dialogue.
Ch 1 Animales has a very strong Los Lobos influence because I admire them so much. This is a bluegrass tribute I find beautiful:
Ch 2 Relles’ Boy and Ch 3 Little Mocos were both heavily influenced by Good Morning Azlan. I listened to this album nearly consistently for weeks as I drafted and re-drafted these early chapters.
Ch 4 Cornbread is all about the notorious criminal though I chose a upbeat track–maybe because I have so much sympathy or empathy with his character. Also the narrator has so much joy and love in learning about the man. Also the track is very quick and the chapter was meant to be this way–quick and elliptical–bopping from sad and funny story to sad and funny story.
Ch 5 Birthdays introduces the old folks or the grandparent characters back in their day–someone mentions Wheel of Fortune at the birthday–las dias–and the band I imagine would play this during the festivities. Also the family at the party sing together as I remember the old folks doing and I imagine them singing “de colores”:
Ch 6 Bear and Peaches is about a husband and wife feuding so the Hank Williams track is something the old folks might’ve listened to on the radio. I was actually amazed how popular Hank Williams was with the old folks:
Ch 8 Dogtrack is about the uncle who is a bad influence on his crew of boys and so I like that Emeterio might be listening to Al Hurricane on the truckito radio traveling out to the dog track:
Ch 7 and and Ch 9 are war stories essentially and the boys ask if the experience were similar to The Longest Day. This is a film I remember watching as a kid and thinking this was what military service was though the stories in the book contrast the film.
Ch 10 belongs to the crew of boys and so the child version of Las Mananitas seemed appropriate:
Ch 11 follows Emeterio’s downfall and he mentions drinking and partying as the fruits of his labor:
Ch 12 This feud between brothers ends with Emeterio going to jail and the other Santiago left alone to deal with family and bills. It also ends with a street fight and so this War track seemed appropriate.
A quick nonfiction excerpt from a project I’m working on:
The dark haired boy, bare footed and tired takes the reins of the mare and throws his leg over with a kick. He’s been waiting for hours to ride. His lips widen and then he nearly lets himself giggle as the mount kicks and strides away from the Jefe and the fieldwork. The Jefe told the boy the horse needed rest and grain and so the boy bit at his lip and clipped onions until twilight. And after a day’s work the boy’s energy rivals the horse’s and the boy lurches with each powerful jump nearly uncontrollably for hundreds of yards. After weeks of side jobs it is the first time the boy has ventured out. When the boy finally thinks to check back, the old man wipes at his forehead and at the back of his neck. The old man’s face is small and worrisome. And the boy’s face glows for the horse and the yards paced ahead.
Highway driving this summer and enjoying the fairly new Code Switch podcast. I also enjoy the written articles posted on NPR Code Switch site. Primarily enjoying the article on digital divides between Latino and Anglos.
The House of Order–stories, the first collection of composite stories by John Paul Jaramillo, presents a stark vision of American childhood and family, set in Southern Colorado and Northern New Mexico.
The film Enemy based on Jose Saramago’s novel The Double was a nicely surreal and non-linear film I admired quite a bit. It’s been a while since I’ve seen a film with sex and political power themes that stayed with me far past the viewing. The ending here is nicely cryptic and creepy.
A quick nonfiction excerpt from a project I’m working on:
