Over the last year or so I am finding I have more and more unread or half finished books on my desk and shelf. I think that has to do with an issue of focus and depression. And I have revision tasks I’ve put off and off for far too long as well. My Monte Stories manuscript I am now calling simply Carlos Montoya I’ve yet to get back to in a more meaningful way. And this is distressing because I’ve always prided myself on my work ethic. Maybe in the past I have had a way of focusing on work and distracting myself from family, personal and work issues.
So what are my excuses? The year has been stressful and I chalk it up to grieving personal losses. I blame my lack of discipline and my own loss of a literary way. I don’t stick to schedules of reading and writing I make for myself. I devote most of my time to teaching and grading–prepping for classroom lectures. So balancing family issues and work have gotten the best of me. I have blogged quite a bit on this site about the need for the writer to balance writing and teaching and obviously I have put teaching first and the writing has fallen by the wayside unfortunately.
So what to do about it? Well I did happen to get my stuff together in terms of applying for a sabbatical from my school. So I do have the time in the near future to focus on my writing and my revision. And now I want to get on track by focusing on a lists of books and a goal of reading. My thought this last weekend was to to do something I’ve wanted to do for a while–reading more of Donald Barthelme’s suggested books from his syllabus. There are 82 books listed on here and hopefully I can get back on track by devoting more time to read these 82 selections or as many of these 82 as I can.
I’ve been listening to One Hundred Years of Solitude as an audiobook and watching this documentary on Marquez’ life and work. I’m still taken by the idea of a large story following several generations–seven generations I think and I’m taken by the idea he was influenced by his Grandparent’s stories where local stories, fantastic details and family legends mix together. I also love how the doc is unapolegetically in Spanish.
The first time I heard Thug Notes I found it very funny and engaging. I played it for my Lit 111 students. We liked the break down in a less elite language. And I love to see books and ideas from books featured in so called new media. I wonder though if this quick summary of books perhaps might be what Bradbury was warning us about? Will quick summaries like this or another quick summary like SparkNotes take the place of reading?
Now I’m thinking I’d rather see videos like this on from The Pen Pixie:
Finished reading through Algren’s The Man with the Golden Arm and I’ve enjoyed the story of self-destruction. I can see why this book is such a classic. Does feel a bit overwritten at times but Algren’s Chicago is a gritty and dirty place–very naturalistic. I most enjoyed the sweeping third person narration.
Rereading Borges’ The Garden of Forking Paths this morning. And the idea of a chaotic novel or a novel with confounding paths of time consoles me as I’ve been thinking Semi-Orphaned is a mess of vignettes and scene/organization that spirals. Hopeful that I have found a plan for the chaos.
“No one realized that the book and the labyrinth were one and the same.”
Sat down today–all day today–working towards an August 15 contest deadline for my Semi-Orphaned manuscript. Here is a quick excerpt:
Neto was over on the bed shirtless and crudo, shaking his head at the reality of missing his father’s funeral service, when he raised both arms to smell his pits. He started digging in his jeans for a comb and pushed at his dark hair.
This was all in 1983, before the winter ended. I remember Neto often visited from New Mexico to the Abuelito’s home on Spruce Street in Huerfano, Colorado and slept off his drunks.
“There’s a lot of folks upstairs waiting on you, I said.
When he saw it was only me, he kicked off his sneakers and dropped his soiled pants and bent over in the posture of a small child. His nicotine stained fingers shoveled down the plate of rice and beans I had for him. He coughed and spat to the basement’s concrete floor.
“You the only Ortiz worth a damn left alive in this neighborhood,” he complained.
His clothes were in two great big garbage bags and he stood still a minute as I dragged his only collared shirt out from under his stash of nudie magazines and fungus-looking weed.
I put his clothes down deep in the washing machine and asked out loud if he was my father.
“Listen to what I say, Manito. I can tell you this. Born into this world alone and die alone,” Neto went on half-drunkenly. “Family will leave you. Women will leave you. All you have is your own damned self.”
“Raw and highly emotional at times, Jaramillo’s stories give a realistic look in to the lives of his characters as he presents short vignettes that hint at a deeper family saga. His style is easy to read and his concise wording retains a surprising amount of detail. All in all, The House of Order is a compelling set of stories and should Jaramillo continue to present such fantastic storytelling, there is no doubt he will gain many new readers.”
Enjoyed Sergio Troncoso’s fiction workshop the past ten days and wanted to post some of my notes on the rest of the Yale Writer’s Conference.
Day One: Keynote speech by author and medical doctor Richard Selzer asked us to combine our interests and occupations with our love for language. Loved the idea he gave us to avoid timidity in our writing. “Don’t be afraid to tell lies,” he lectured. He also gave us the idea that instincts are more important than our intellect; our impressions are more important than the facts of a story.
Day Two: Kevin Wilson’s craft lecture on his process in moving from short work to longer narrative works was so helpful. I loved the metaphor of short story as car crash versus a novel which is a road trip. Urged us to find the interiority of our characters. Also his exercises and group work with fellow writers was a great idea to push friends and fellow writers to write often. He shared some quotes from his mentor: “Your writing may fail but at least you will have the evidence.”
Day Three: Interesting thoughts from Deborah Triesman the New Yorker fiction editor. urged us to submit our strongest work to fiction @newyorker.com.
Emily Bazelon from Slate Magazine warned us about the difficulty of earning a living as a writer for hire–warned as about low pay for freelancers. Also her words on the worry from her staff that there is not much reporting and not much high quality reporting from publications.
Day Four: The master class with Zz Packer was an incredible experience. Her lecture on communication and the creation of image was helpful. Her notes and lecture she put up on the chalkboard followed these thoughts: 1. clearly communicate and create the image by unpacking sentences. 2. add action or motivational force. 3. plotting advice. She also went through a series of very helpful tips in terms of revision. I was most taken by her messy use of the chalkboard and her interaction with the class.
Day Six: An incredibly informative panel discussion with seven literary journal editors. Some of the journals included N Plus One, First Inkling, Atlas Review, and Hunger Mountain ; Fence and The Harvard Review were also there. Each editor gave great notes on what type of story to submit and how to avoid the slush pile. I was amazed how each editor suggested stories that begin immediately and also how each stressed the idea that there are many more writers who submit than folks who subscribe and read the magazines.