I’ve not watched Boyhood and in fact I’ve not watched many films concerning youth and masculinity lately–mostly because of my teaching schedule and work. Moonlight though came up on some podcasts I listen to and admire. And I have to say the film is rather amazing–subtle and subdued. I was taken with the music and also with the visual metaphors–the use of water and beach scenes. So much to say about this film. One particular performance I admire comes from Mahershala Ali as the father figure in the film. The swimming scene is particularly visceral and emotional.
Margaret Atwood’s classic novel appears to have a well produced series adaptation coming to the internet. I was disappointed with the 199o film adaptation. This looks promising though.
Fascinating documentary covering a church serving homeless and jobless men in North Dakota. I was struck by the struggle between pastor Jay Reinke and his community. Also didn’t see the surprise ending coming.
Teaching a film as lit class this term and spending some time this week closely studying Joel and Ethan Coen’s pre-Bob Dylan period film Inside Llewyn Davis. I am particularly interested in the themes of crisis and purposeleness. I also like the feel that the narrative is a mobius strip trapping the main character.
I am seeing many similarities with The Big Lebowski–another Coen brothers film I admire–in the themes of authenticity and honesty–also the theme of abiding or enduring. I also like the idea of the character who is not exactly aware of the depth of the crisis though I do feel Llewyn Davis comes to an understanding and awareness of sorts. I also love the motif in the incredible journey of the lost cat.
This film is from 2009 and from director Bobcat Goldthwait. I missed it because of a limited release. I most admired Robin Williams playing a frustrated writer and teacher in this dark comedy. Love the scenes in poetry class.
“I used to think the worst thing in life was ending up alone, it’s not. The worst thing in life is to end up with people that make you feel alone.”
Big Sur may be my least favorite Jack Kerouac novel. While On the Road and The Subterraneans captured youth and restlessness, Big Sur relates the aged, alcoholic Kerouac. And perhaps that is why I don’t enjoy the book. Kerouac’s persona is one of such a broken down writer unable to cope with fame and personal relationships. Kerouac’s obsession with death and the chaos of meeting up with Neal Cassady once again drive the energy of the book.
Michael Polish’s new adaptation is an independent film and therefore nowhere near my Midwest town and so I had to stream from Amazon to my television. Perhaps this is the future of watching smaller budgeted films. The film is so well shot though and gives so many beautiful views of the locale in recreating Lawrence Ferlinghetti‘s cabin near the beach where Kerouac would’ve stayed. The photography is so gorgeous I regret not being able to watch on the big screen.
I most admired the director’s decision to narrate the film with an abundance of Kerouac’s words. The words give the film an energy that matches the book–perhaps more so than Walter Salles’ recent On the Road adaptation.
Long story short, the plot is driven by a coincidence. And this idea was seen as a failure from D’s point of view. I saw it as a strength because I heard an episode of This American Life called No Coincidence, No Story! Now that is not the only thing that drives the film’s narrative. I think the movie is driven by the intricacies of relationships and protocol around new relationships–the human truths of relationships and also the ending of relationships. The idea that relationships are about finding and understanding mundane eccentricities in newfound partners.
Apparently “No coincidence, no story” is a Chinese expression. From This American Life: “Sometimes the best way to appreciate a coincidence is to look past all the rational reasons it might have happened.”
This is an interesting thought or principle regarding narratology. Shit happens in life and in stories. I think this is a pretty good lesson for my creative writing students who are always struggling to find that thing or “it” that will drive the story.
My friend and mentor Will Hochman answers some questions and gives his opinion on the new Salinger documentary.
Looks fascinating. Salinger documentary now has a trailer. Here’s the link: http://movies.yahoo.com/video/salinger-trailer-1-192014811.html