I’ve not watched Boyhood and in fact I’ve not watched many films concerning youth and masculinity lately–mostly because of my teaching schedule and work. Moonlight though came up on some podcasts I listen to and admire. And I have to say the film is rather amazing–subtle and subdued. I was taken with the music and also with the visual metaphors–the use of water and beach scenes. So much to say about this film. One particular performance I admire comes from Mahershala Ali as the father figure in the film. The swimming scene is particularly visceral and emotional.
Teaching a film as lit class this term and spending some time this week closely studying Joel and Ethan Coen’s pre-Bob Dylan period film Inside Llewyn Davis. I am particularly interested in the themes of crisis and purposeleness. I also like the feel that the narrative is a mobius strip trapping the main character.
I am seeing many similarities with The Big Lebowski–another Coen brothers film I admire–in the themes of authenticity and honesty–also the theme of abiding or enduring. I also like the idea of the character who is not exactly aware of the depth of the crisis though I do feel Llewyn Davis comes to an understanding and awareness of sorts. I also love the motif in the incredible journey of the lost cat.
This week I’m grading and meeting with students individually but still found some time to watch David Lynch’s Eraserhead on Criterion Blu-ray. Lynch says the surreal is the subconscious speaking to us. And this is one of my favorite surreal films.
Great documentaries on the film here as well. After watching an early screening of the film, Lynch’s mother told him, “That’s a dream I wouldn’t want to be caught in.”
I can’t talk about Borges, Barth or Barthelme in my creative writing class without mentioning the films of David Lynch.