Aside

ManWithTheGoldenArm

Finished reading through Algren’s The Man with the Golden Arm and I’ve enjoyed the story of self-destruction. I can see why this book is such a classic. Does feel a bit overwritten at times but Algren’s Chicago is a gritty and dirty place–very naturalistic. I most enjoyed the sweeping third person narration.

quick thought on the man with the golden arm

Aside

ElJardínDeSenderosQueSeBifurcanRereading Borges’ The Garden of Forking Paths this morning. And the idea of a chaotic novel or a novel with confounding paths of time consoles me as I’ve been thinking Semi-Orphaned is a mess of vignettes and scene/organization that spirals. Hopeful that I have found a plan for the chaos.

“No one realized that the book and the labyrinth were one and the same.”

a book and a labyrinth

Aside

Day of Dead Felicia OlinSat down today–all day today–working towards an August 15 contest deadline for my Semi-Orphaned manuscript. Here is a quick excerpt:

Animales

Neto was over on the bed shirtless and crudo, shaking his head at the reality of missing his father’s funeral service, when he raised both arms to smell his pits. He started digging in his jeans for a comb and pushed at his dark hair.

This was all in 1983, before the winter ended. I remember Neto often visited from New Mexico to the Abuelito’s home on Spruce Street in Huerfano, Colorado and slept off his drunks.

“There’s a lot of folks upstairs waiting on you, I said.

When he saw it was only me, he kicked off his sneakers and dropped his soiled pants and bent over in the posture of a small child. His nicotine stained fingers shoveled down the plate of rice and beans I had for him. He coughed and spat to the basement’s concrete floor.

“You the only Ortiz worth a damn left alive in this neighborhood,” he complained.

His clothes were in two great big garbage bags and he stood still a minute as I dragged his only collared shirt out from under his stash of nudie magazines and fungus-looking weed.

I put his clothes down deep in the washing machine and asked out loud if he was my father.

“Listen to what I say, Manito. I can tell you this. Born into this world alone and die alone,” Neto went on half-drunkenly. “Family will leave you. Women will leave you. All you have is your own damned self.”

semi-orphaned aug 15 deadline

Aside

Jaramillo - Cover - Final.inddThe good folks at CIELO: Culturally Integrated Education for Latinos Organization here in Springfield, Illinois will be discussing my book at their August book club meeting. And they’ve invited me to come and discuss the book on Aug 6. I’m getting excited.

the house of order: cielo august book club selection

Aside

house_of_order1

Here’s a quick excerpt from the writeup in the August San Francisco Book Review:

Star Rating: 5 out of 5

“Raw and highly emotional at times, Jaramillo’s stories give a realistic look in to the lives of his characters as he presents short vignettes that hint at a deeper family saga. His style is easy to read and his concise wording retains a surprising amount of detail. All in all, The House of Order is a compelling set of stories and should Jaramillo continue to present such fantastic storytelling, there is no doubt he will gain many new readers.”

the house of order writeup in the san francisco book review

Aside

IMAG0315

I’m grateful for the nearly half-page writeup in the hometown newspaper:

“Jaramillo is writing about working in Southern Colorado farm fields, driving and drinking beer and smoking pot; visiting family members in the state penitentiary; about tattooed pregnant girls, dirty kids in laundromats and their desperate mothers–and the pain-filled list goes on, back through several decades. What saves these stories is the grace in which they are written.”–Mary Jean Porter, Chieftain.com

half-page writeup in pueblo chieftain

Aside

IMAG0292

Enjoyed Sergio Troncoso’s fiction workshop the past ten days and wanted to post some of my notes on the rest of the Yale Writer’s Conference.

Day One: Keynote speech by author and medical doctor Richard Selzer  asked us to combine our interests and occupations with our love for language. Loved the idea he gave us to avoid timidity in our writing. “Don’t be afraid to tell lies,” he lectured. He also gave us the idea that instincts are more important than our intellect; our impressions are more important than the facts of a story.

Day Two: Kevin Wilson’s craft lecture on his process in moving from short work to longer narrative works was so helpful. I loved the metaphor of short story as car crash versus a novel which is a road trip. Urged us to find the interiority of our characters. Also his exercises and group work with fellow writers was a great idea to push friends and fellow writers to write often. He shared some quotes from his mentor: “Your writing may fail but at least you will have the evidence.”

Day Three: Interesting thoughts from Deborah Triesman the New Yorker fiction editor. urged us to submit our strongest work to  fiction @newyorker.com.

Emily Bazelon from Slate Magazine warned us about the difficulty of earning a living as a writer for hire–warned as about low pay for freelancers. Also her words on the worry from her staff that there is not much reporting and not much high quality reporting from publications.

IMAG0301Day Four: The master class with Zz Packer was an incredible experience. Her lecture on communication and the creation of image was helpful. Her notes and lecture she put up on the chalkboard followed these thoughts: 1. clearly communicate and create the image by unpacking sentences. 2. add action or motivational force. 3. plotting advice. She also went through a series of very helpful tips in terms of revision. I was most taken by her messy use of the chalkboard and her interaction with the class.

Day Six: An incredibly informative panel discussion with seven literary journal editors. Some of the journals included N Plus One, First Inkling, Atlas Review, and Hunger Mountain ; Fence and The Harvard Review were also there. Each editor gave great notes on what type of story to submit and how to avoid the slush pile. I was amazed how each editor suggested stories that begin immediately and also how each stressed the idea that there are many more writers who submit than folks who subscribe and read the magazines.

More notes to come…

more yale writers’ conference notes