quick review: cesar chavez

MV5BMTM5NTkyOTMxN15BMl5BanBnXkFtZTgwODA1MDYwMTE@._V1_SX214_AL_I’ve been waiting to watch Diego Luna’s film and finally had some time this weekend. The reviews were poor on IMDB and Rotten Tomatoes and Marshall Ganz–a man who knew and worked with Cesar Chavez–criticized the film for the one dimensional version of Chavez’s life. I have to admit though I found Michael Peña’s portrayal of Cesar Chavez to be subtle and very powerful.

quick review of big sur feature film

Big_Sur_2013

Big Sur may be my least favorite Jack Kerouac novel. While On the Road and The Subterraneans captured youth and restlessness, Big Sur relates the aged, alcoholic Kerouac. And perhaps that is why I don’t enjoy the book. Kerouac’s persona is one of such a broken down writer unable to cope with fame and personal relationships. Kerouac’s obsession with death and the chaos of meeting up with Neal Cassady once again drive the energy of the book.

Michael Polish’s new adaptation is an independent film and therefore nowhere near my Midwest town and so I had to stream from Amazon to my television. Perhaps this is the future of watching smaller budgeted films. The film is so well shot though and gives so many beautiful views of the locale in recreating Lawrence Ferlinghetti‘s cabin near the beach where Kerouac would’ve stayed. The photography is so gorgeous I regret not being able to watch on the big screen.

I most admired the director’s decision to narrate the film with an abundance of Kerouac’s words. The words give the film an energy that matches the book–perhaps more so than Walter Salles’ recent On the Road adaptation.

last tuesday at the movies

Went to the movies last week. I should’ve been grading or obsessing over the part time instructor evaluations I was supposed to be writing up. But I went to the movies instead. Don’t always spend time during the week taking time to watch movies but I did. And I don’t regret it. I wish I could go to the movies every Tuesday. Anyway D and I saw Enough Said directed by Nicole Holofcener.

Enough_Said_(film)

Long story short, the plot is driven by a coincidence. And this idea was seen as a failure from D’s point of view. I saw it as a strength because I heard an episode of This American Life called No Coincidence, No Story! Now that is not the only thing that drives the film’s narrative. I think the movie is driven by the intricacies of relationships and protocol around new relationships–the human truths of relationships and also the ending of relationships. The idea that relationships are about finding and understanding mundane eccentricities in newfound partners.

Apparently “No coincidence, no story” is a Chinese expression. From This American Life: “Sometimes the best way to appreciate a coincidence is to look past all the rational reasons it might have happened.”

This is an interesting thought or principle regarding narratology. Shit happens in life and in stories. I think this is a pretty good lesson for my creative writing students who are always struggling to find that thing or “it” that will drive the story.