Tag Archives: amy hempel

quick review/recommendation–consider this: moments in my writing life after which everything was different (2020)

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Chuck Palahniuk’s new book might be one of the most down to earth texts on the craft of writing. And I’ve long admired Palahniuk and his craft of writing–his fiction and his non-fiction. And back in the day when I started teaching fiction, I started using his lessons from litreactor.net and his compiled 36 Writing Craft Essays by Chuck Palahniuk. I used them in my classes and for my own education on craft. Reading his work in those days led me to Amy Hempel and Tom Spanbauer. (The book is dedicated to Tom Spanbauer by the way.) I very much enjoyed his take on the pretentiousness of heavy lit and how-to workshops and texts. His criticisms made me think of my own thoughts on the Writing Fiction by Janet Burroway text I use in my classes and how I feel the text doesn’t quite communicate with my intro to fiction students. There are so many lit references I don’t think they can swim with–the examples and lessons the text brings seem very heavy. That book seems good on paper for intro to fiction and I used that since my grad school days in courses. Palahniuk’s work on the other hand references films and television in a way I believe the Burroway craft text and others like it do not. And I enjoyed learning more about Palahniuk’s growing up and family life only hinted at in other essays. This may be a book when out in paperback I can bring into my classroom for a more practical way of teaching literary minimalism and writing process.

amy hempel reading

41CsdbeUzCL._SY344_BO1,204,203,200_The power of the Internet brought me this mp3 of Amy Hempel reading “The Harvest” and suddenly I know what we’re listening to in class tomorrow.

Amy Hempel — “I moved through the days like a severed head that finishes a sentence.”

tom spanbauer and literary minimalism

Preparing for Lit 150 and discussion of Amy Hempel’s stories “The Cemetary Where Al Jolson is Buried” and “The Harvest”. This morning I’m reviewing Tom Spanbauer’s notes on literary minimalism:

Notes on Literary minimalism—(exemplified by Mark Richard, Amy Hempel and Chuck Palahniuk)

Literary minimalism is characterized by an economy with words and a focus on surface description. Minimalist authors eschew adverbs and prefer allowing context to dictate meaning. Readers are expected to take an active role in the creation of a story, to “choose sides” based on oblique hints and innuendo, rather than reacting to directions from the author. The characters in minimalist stories and novels tend to be unexceptional.

Instead of grand narratives we see briefer and more economical scenes and seemingly insignificant moments that “add up to more than the sum of their parts.”