Reading Books Together: A Podcast with Deborah Brothers & John Paul Jaramillo
Music “Viv” by Joel Styzens from Relax Your Ears
For their first foray into book review podcasts, Deborah Brothers and John Paul Jaramillo feature the 2021 novel by Canadian-American author Ruth Ozeki, The Book of Form and Emptiness. They discuss aspects of postmodernism metafiction, Buddhism, and bildungsroman.
–Deborah Brothers holds a Ph.D. in English Studies and reviews books for Choice and The Lion and the Unicorn and her essays, fiction, and scholarly work have appeared in several publications.
–John Paul Jaramillo holds an MFA in Creative Writing and is the author of three books: The House of Order, Little Mocos, and Carlos Montoya.
Such an odd and strange little book from O’Brien. What I liked: Definitely not a book you can easily categorize. The plot was meandering–more so than At Swim Two Birds–and completely unpredictable. A place wholly away from reality was the setting, and late in the novel we learn the “place” of the novel was a type of hell. Again, a novel reminding me of David Lynch’s Twin Peaks–an exploration of a created place parallel to reality trapping guilty souls. As multi-dimensional as a book can become–an exploration of time, place and dimension. I very much like the spirit behind the line, “A journey is an hallucination.”
Over the last year or so I am finding I have more and more unread or half finished books on my desk and shelf. I think that has to do with an issue of focus and depression. And I have revision tasks I’ve put off and off for far too long as well. My Monte Stories manuscript I am now calling simply Carlos Montoya I’ve yet to get back to in a more meaningful way. And this is distressing because I’ve always prided myself on my work ethic. Maybe in the past I have had a way of focusing on work and distracting myself from family, personal and work issues.
So what are my excuses? The year has been stressful and I chalk it up to grieving personal losses. I blame my lack of discipline and my own loss of a literary way. I don’t stick to schedules of reading and writing I make for myself. I devote most of my time to teaching and grading–prepping for classroom lectures. So balancing family issues and work have gotten the best of me. I have blogged quite a bit on this site about the need for the writer to balance writing and teaching and obviously I have put teaching first and the writing has fallen by the wayside unfortunately.
So what to do about it? Well I did happen to get my stuff together in terms of applying for a sabbatical from my school. So I do have the time in the near future to focus on my writing and my revision. And now I want to get on track by focusing on a lists of books and a goal of reading. My thought this last weekend was to to do something I’ve wanted to do for a while–reading more of Donald Barthelme’s suggested books from his syllabus. There are 82 books listed on here and hopefully I can get back on track by devoting more time to read these 82 selections or as many of these 82 as I can.
I’ve been listening to One Hundred Years of Solitude as an audiobook and watching this documentary on Marquez’ life and work. I’m still taken by the idea of a large story following several generations–seven generations I think and I’m taken by the idea he was influenced by his Grandparent’s stories where local stories, fantastic details and family legends mix together. I also love how the doc is unapolegetically in Spanish.
Put together a quick listing of song titles I think work with each chapter of my book. Saw a few other writers I admire do this and so I thought I would try. More and more I like the idea of a movie-style book soundtrack. And I am finding this a fascinating exercise. Many of these titles are songs I listened to while drafting and revising and many I found recently as many of the characters and chapters refer to films and or songs in dialogue.
Ch 1 Animales has a very strong Los Lobos influence because I admire them so much. This is a bluegrass tribute I find beautiful:
Ch 2 Relles’ Boy and Ch 3 Little Mocos were both heavily influenced by Good Morning Azlan. I listened to this album nearly consistently for weeks as I drafted and re-drafted these early chapters.
Ch 4 Cornbread is all about the notorious criminal though I chose a upbeat track–maybe because I have so much sympathy or empathy with his character. Also the narrator has so much joy and love in learning about the man. Also the track is very quick and the chapter was meant to be this way–quick and elliptical–bopping from sad and funny story to sad and funny story.
Ch 5 Birthdays introduces the old folks or the grandparent characters back in their day–someone mentions Wheel of Fortune at the birthday–las dias–and the band I imagine would play this during the festivities. Also the family at the party sing together as I remember the old folks doing and I imagine them singing “de colores”:
Ch 6 Bear and Peaches is about a husband and wife feuding so the Hank Williams track is something the old folks might’ve listened to on the radio. I was actually amazed how popular Hank Williams was with the old folks:
Ch 8 Dogtrack is about the uncle who is a bad influence on his crew of boys and so I like that Emeterio might be listening to Al Hurricane on the truckito radio traveling out to the dog track:
Ch 7 and and Ch 9 are war stories essentially and the boys ask if the experience were similar to The Longest Day. This is a film I remember watching as a kid and thinking this was what military service was though the stories in the book contrast the film.
Ch 10 belongs to the crew of boys and so the child version of Las Mananitas seemed appropriate:
Ch 11 follows Emeterio’s downfall and he mentions drinking and partying as the fruits of his labor:
Ch 12 This feud between brothers ends with Emeterio going to jail and the other Santiago left alone to deal with family and bills. It also ends with a street fight and so this War track seemed appropriate.
I’ve been listening to One Hundred Years of Solitude as an audiobook and watching this documentary on Marquez’ life and work. I’m still taken by the idea of a large story following several generations–seven generations I think and I’m taken by the idea he was influenced by his Grandparent’s stories where local stories, fantastic details and family legends mix together. I also love how the doc is unapolegetically in Spanish.
john paul jaramillo 