A quick nonfiction excerpt from a project I’m working on:
The dark haired boy, bare footed and tired takes the reins of the mare and throws his leg over with a kick. He’s been waiting for hours to ride. His lips widen and then he nearly lets himself giggle as the mount kicks and strides away from the Jefe and the fieldwork. The Jefe told the boy the horse needed rest and grain and so the boy bit at his lip and clipped onions until twilight. And after a day’s work the boy’s energy rivals the horse’s and the boy lurches with each powerful jump nearly uncontrollably for hundreds of yards. After weeks of side jobs it is the first time the boy has ventured out. When the boy finally thinks to check back, the old man wipes at his forehead and at the back of his neck. The old man’s face is small and worrisome. And the boy’s face glows for the horse and the yards paced ahead.
Little Mocos–a novel in stories: “Jaramillo’s (The House of Order, 2011) second novel in stories builds on his debut collection, and fans of that work will likely find much to enjoy here. His writing is crisp, concise, and realistic, with a gimlet eye for the details of his characters’ grim existences.” –Kirkus Reviews
Spring Break and we found ourselves in St. Louis for a quick day trip. We stopped off at Comet Coffee Company St. Louis. D had a cappuccino and I had a pour over. I’m new to pour overs but the coffee was very sweet tasting and light. Specifically the menu reads: Francy Torres, Colombia, chocolate, marzipan, fruit punch, roasted by Kuma Coffee, Seattle, WA.
The website says the place specializes in hand-brewed and single origin. Also they brought the drinks out to the table instead of calling our names. A nice break from Starbucks crowd. Soon we will back to tumblers of french press coffee and Keurig nightmare creations.
I’ve not watched Boyhood and in fact I’ve not watched many films concerning youth and masculinity lately–mostly because of my teaching schedule and work. Moonlight though came up on some podcasts I listen to and admire. And I have to say the film is rather amazing–subtle and subdued. I was taken with the music and also with the visual metaphors–the use of water and beach scenes. So much to say about this film. One particular performance I admire comes from Mahershala Ali as the father figure in the film. The swimming scene is particularly visceral and emotional.
So happy with the cover design for Little Mocos–thank you to @t_morrissey Morrissey and @TwelveWinters
Margaret Atwood’s classic novel appears to have a well produced series adaptation coming to the internet. I was disappointed with the 199o film adaptation. This looks promising though.
Fascinating documentary covering a church serving homeless and jobless men in North Dakota. I was struck by the struggle between pastor Jay Reinke and his community. Also didn’t see the surprise ending coming.
D and I escaped from the election and Trump fallout and enjoyed the Hoagland Center for the Arts’ presentation of A Raisin in the Sun. I’ve always enjoyed Lorraine Hansberry‘s family drama and the production had some strong performances. I found the play to be a very timely message on standing up and facing injustice as well as personal failings.
Teaching a film as lit class this term and spending some time this week closely studying Joel and Ethan Coen’s pre-Bob Dylan period film Inside Llewyn Davis. I am particularly interested in the themes of crisis and purposeleness. I also like the feel that the narrative is a mobius strip trapping the main character.
I am seeing many similarities with The Big Lebowski–another Coen brothers film I admire–in the themes of authenticity and honesty–also the theme of abiding or enduring. I also like the idea of the character who is not exactly aware of the depth of the crisis though I do feel Llewyn Davis comes to an understanding and awareness of sorts. I also love the motif in the incredible journey of the lost cat.
After a long semester of teaching I found some time to indulge in studying the novella Pedro Paramo by Juan Rulfo. I’ve been an admirer of Rulfo’s career and this book reads as a tremendous progression from his short stories I was introduced to in his book The Burning Plain. What I found in this work is a complex, surreal story of a long abandoned town, Comala, and the stories from the ghosts of the townspeople. The book masterfully shifts from third person omniscient narration to first person narration. The book is filled with ghosts and spirit guides revealing their traumatic stories to the visiting narrator, Juan Preciado. We learn all about the dead city’s heritage from the ghosts of the past. In fact the sometimes narrator and his life aren’t very important to the story and this narrator only acts as a relayer–intermediary really–of spirits and voices from Comala. It’s been a few days and after much thinking and re-thinking on some of the motifs I think the book is simply about voices associated with place and a town dealing with generations of tragedy and grief–how objects and buildings can stand as totems for past traumatic events. How pain and suffering from the most horrible of moral offenses–murder, rape and incest–can stand at the center of entire town’s spiritual demise. The ghosts I found to be eccentric and odd yet always memorable. In fact, the book reminded me of Twin Peaks–David Lynch and Mark Frost’s masterpiece from the 1990’s. The narrator travels to Comala the way Agent Cooper travels to Twin Peaks to find answers about loss and death. From passage to passage I am wondering if the voices are real or from a spirit world.
Recently I rewatched David Lynch’s Fire Walk with Me and I am finding so many similarities between Rulfo and Lynch. We have a small town holding onto psychic pain and suffering as well as intense secrets associated with the death of several young women. The film is filled with flawed and inept investigators who though despite being clever and observant cannot seem to crack the code to the murders as well as the spirit voices guiding them. The “lodge” mythology from the film and the television show are very different but the film has a cosmic and supernatural context I find so similar in the so-called magical realism work of Rulfo.
PS: Excited to see Twin Peaks return next year.
I’ve lived and taught in the Midwest for ten years now and have yet to fully understand the place and the people. After the Michael Brown shooting and the Ferguson riots, I found this incredible episode of This American Life on Michael Brown’s school district–the worst district in the state of Missouri according to journalist Nikole Hannah-Jones. Makes me think more powerfully on the intersection of poverty, diversity and classrooms here in the Midwest.
PS: I would also recommend the documentary Spanish Lake I recently watched on Netflix on the topic of neighborhood integration in Missouri.
Just a quick note at the end of a long year. I guess it is important to remind myself about some writing news as well as teaching thoughts. The last few weeks have given me some good news. My story “Little Mocos” has appeared in Duende Literary Magazine. I am very grateful and thankful to the editors for working with me on revising the piece.
I’ve also begun reworking the Monte Stories manuscript, and though revision goes a bit slow, I’m happy to find the stories heading in a sci-fi direction. Perhaps this break from teaching will give me some time to re-read some Kurt Vonnegut, a writer I return to again and again in some of my note-taking. Excited to see the writing style developing.
I’ve also heard word this last week on new computers at work–26 Chromebooks to change the way I teach comp, lit and creative writing. Should make for an interesting year in developing my teaching skills as well as writing.