Put together a quick listing of song titles I think work with each chapter of my book. Saw a few other writers I admire do this and so I thought I would try. More and more I like the idea of a movie-style book soundtrack. And I am finding this a fascinating exercise. Many of these titles are songs I listened to while drafting and revising and many I found recently as many of the characters and chapters refer to films and or songs in dialogue.
Ch 1 Animales has a very strong Los Lobos influence because I admire them so much. This is a bluegrass tribute I find beautiful:
Ch 2 Relles’ Boy and Ch 3 Little Mocos were both heavily influenced by Good Morning Azlan. I listened to this album nearly consistently for weeks as I drafted and re-drafted these early chapters.
Ch 4 Cornbread is all about the notorious criminal though I chose a upbeat track–maybe because I have so much sympathy or empathy with his character. Also the narrator has so much joy and love in learning about the man. Also the track is very quick and the chapter was meant to be this way–quick and elliptical–bopping from sad and funny story to sad and funny story.
Ch 5 Birthdays introduces the old folks or the grandparent characters back in their day–someone mentions Wheel of Fortune at the birthday–las dias–and the band I imagine would play this during the festivities. Also the family at the party sing together as I remember the old folks doing and I imagine them singing “de colores”:
Ch 6 Bear and Peaches is about a husband and wife feuding so the Hank Williams track is something the old folks might’ve listened to on the radio. I was actually amazed how popular Hank Williams was with the old folks:
Ch 8 Dogtrack is about the uncle who is a bad influence on his crew of boys and so I like that Emeterio might be listening to Al Hurricane on the truckito radio traveling out to the dog track:
Ch 7 and and Ch 9 are war stories essentially and the boys ask if the experience were similar to The Longest Day. This is a film I remember watching as a kid and thinking this was what military service was though the stories in the book contrast the film.
Ch 10 belongs to the crew of boys and so the child version of Las Mananitas seemed appropriate:
Ch 11 follows Emeterio’s downfall and he mentions drinking and partying as the fruits of his labor:
Ch 12 This feud between brothers ends with Emeterio going to jail and the other Santiago left alone to deal with family and bills. It also ends with a street fight and so this War track seemed appropriate.
A quick nonfiction excerpt from a project I’m working on:
Spring Break and we found ourselves in St. Louis for a quick day trip. We stopped off at 
After a long semester of teaching I found some time to indulge in studying the novella Pedro Paramo by Juan Rulfo. I’ve been an admirer of Rulfo’s career and this book reads as a tremendous progression from his short stories I was introduced to in his book The Burning Plain. What I found in this work is a complex, surreal story of a long abandoned town, Comala, and the stories from the ghosts of the townspeople. The book masterfully shifts from third person omniscient narration to first person narration. The book is filled with ghosts and spirit guides revealing their traumatic stories to the visiting narrator, Juan Preciado. We learn all about the dead city’s heritage from the ghosts of the past. In fact the sometimes narrator and his life aren’t very important to the story and this narrator only acts as a relayer–intermediary really–of spirits and voices from Comala. It’s been a few days and after much thinking and re-thinking on some of the motifs I think the book is simply about voices associated with place and a town dealing with generations of tragedy and grief–how objects and buildings can stand as totems for past traumatic events. How pain and suffering from the most horrible of moral offenses–murder, rape and incest–can stand at the center of entire town’s spiritual demise. The ghosts I found to be eccentric and odd yet always memorable. In fact, the book reminded me of Twin Peaks–David Lynch and Mark Frost’s masterpiece from the 1990’s. The narrator travels to Comala the way Agent Cooper travels to Twin Peaks to find answers about loss and death. From passage to passage I am wondering if the voices are real or from a spirit world.
Recently I rewatched David Lynch’s Fire Walk with Me and I am finding so many similarities between Rulfo and Lynch. We have a small town holding onto psychic pain and suffering as well as intense secrets associated with the death of several young women. The film is filled with flawed and inept investigators who though despite being clever and observant cannot seem to crack the code to the murders as well as the spirit voices guiding them. The “lodge” mythology from the film and the television show are very different but the film has a cosmic and supernatural context I find so similar in the so-called magical realism work of Rulfo.
