quick review of big sur feature film

Big_Sur_2013

Big Sur may be my least favorite Jack Kerouac novel. While On the Road and The Subterraneans captured youth and restlessness, Big Sur relates the aged, alcoholic Kerouac. And perhaps that is why I don’t enjoy the book. Kerouac’s persona is one of such a broken down writer unable to cope with fame and personal relationships. Kerouac’s obsession with death and the chaos of meeting up with Neal Cassady once again drive the energy of the book.

Michael Polish’s new adaptation is an independent film and therefore nowhere near my Midwest town and so I had to stream from Amazon to my television. Perhaps this is the future of watching smaller budgeted films. The film is so well shot though and gives so many beautiful views of the locale in recreating Lawrence Ferlinghetti‘s cabin near the beach where Kerouac would’ve stayed. The photography is so gorgeous I regret not being able to watch on the big screen.

I most admired the director’s decision to narrate the film with an abundance of Kerouac’s words. The words give the film an energy that matches the book–perhaps more so than Walter Salles’ recent On the Road adaptation.

Published by john paul jaramillo

John Paul Jaramillo was born and raised in southern Colorado. His stories and essays have appeared in numerous publications, including the Acentos Review, Palabra, A Magazine of Chicano and Latino Literary Art, and most recently in Duende. His collection The House of Order: Stories was named an International Latino Book Award Finalist and his novel in stories Little Mocos is forthcoming from Twelve Winters Press. In 2013 the editors of Latino Boom: An Anthology of U.S. Latino Literature listed Jaramillo as one of its Top 10 New Latino Authors to Watch and Read.

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