Big Sur may be my least favorite Jack Kerouac novel. While On the Road and The Subterraneans captured youth and restlessness, Big Sur relates the aged, alcoholic Kerouac. And perhaps that is why I don’t enjoy the book. Kerouac’s persona is one of such a broken down writer unable to cope with fame and personal relationships. Kerouac’s obsession with death and the chaos of meeting up with Neal Cassady once again drive the energy of the book.
Michael Polish’s new adaptation is an independent film and therefore nowhere near my Midwest town and so I had to stream from Amazon to my television. Perhaps this is the future of watching smaller budgeted films. The film is so well shot though and gives so many beautiful views of the locale in recreating Lawrence Ferlinghetti‘s cabin near the beach where Kerouac would’ve stayed. The photography is so gorgeous I regret not being able to watch on the big screen.
I most admired the director’s decision to narrate the film with an abundance of Kerouac’s words. The words give the film an energy that matches the book–perhaps more so than Walter Salles’ recent On the Road adaptation.
The other day a student came in to the office while I was reading a graphic novel and asked me what I was doing slacking off at school. He seemed to think I was getting away from my responsibilities.
Well, this holiday I’m thankful I will have a bit of time off soon to prep for next term’s Lit 111 course. I’m excited to be teaching graphic novels V for Vendetta, Fahrenheit 451 and 1984. Recently read this Guardian article on comics:
At a neural level…the pictures of comic strips are processed as another form of language, with their own vocabulary, grammar and syntax.
In many ways comics are why I am in the profession of teaching lit classes.
I was interested to find this update on the Neruda exumation. Seems that he was not poisoned but family not satisfied or convinced according to a few articles.
I’ve long read and admired Junot Diaz‘ style of prose. I’m almost embarrassed to say how much I’ve modeled my own work after his. This latest collection of work contains all the themes of trouble and failure at its heart. And also the redemption. I continue to admire how the work follows a consistent universe and also how his work stays composite. Overlapping. The voice here feels just as dynamic and strong as his novel The Brief Wondrous Life of Oscar Wao and Drown.